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Picture gallery
A City Inside the City
Some disdain it as an enclave of a consumerist, unthinking middle class. Others sing its praises and consider it a one-of-a-kind urban development project. No other urban district in Poland has been written about and discussed as much as the Miasteczko Wilanów. But where do the roots of this discussion lie? What part do literature and other art forms play in the reproduction of those narratives? And what does the reality behind the stereotypes and urbanistic homages actually look like?
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Background article
Between Polish Metropolis and Provincial Prussian Town
The period of Prussian rule in Warsaw has traditionally received little attention and is usually interpreted as an early climax of Prussian-German expansionism in Poland. Yet it was also a time when, under the influence of the Enlightenment, a number of important educational initiatives developed in the city.
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Borders in Art
Art knows no borders – or at least that is often claimed. This exhibition is dedicated to the theme “Borders in Art.” How do artists react to political events and possible restrictions? What influences do they process and what visual language do they develop? The exhibition focuses on three...
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Background article
Capital of the Saxon Garden Baroque on the Vistula River
The cartographic drawings of Warsaw from 1730-1762, preserved in the Dresden and Warsaw collections, illustrate the architectural garden city where the artistic ideas of the Saxon Baroque were crystallized. These exceptional documents bear testimony to a golden era where the urban landscape and cultural life of the city grew and flourished, stimulated by the patronage of the Saxon royal court, the great families of the Polish nobility, and the cooperation of Polish and Saxon craftsmen and artists.
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Map and text
Commemorating Copernicus
Since the 19th century, numerous Copernicus monuments have been built around the world. Even today, new sites of remembrance honoring the astronomer emerge, especially in Poland. Each site has a unique agenda, narrative, and background.
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Einrichtungstyp
Cultural office
Cultural Office for Pomerania and East Brandenburg
Rivers run through the old maps like veins. For Pomerania and East Brandenburg, the Oder is the main artery. Anyone who is curious about the past and present of these historically developed regions (which lie either side of the Oder) will discover a wide range of services and resources provided...
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Research project
Die Deutschen in und aus der Dobrudscha im 19. und 20. Jahrhundert (“The Germans in and from the Dobruja in the 19th and 20th Century”)
For almost 100 years Germans settled in the Romanian Dobruja, which initially belonged to the Ottoman Empire and, after the Berlin Congress, to Romania. From the 1840s until the National Socialist “resettlement” in the fall of 1940, these German-speaking settlers, most of whom had immigrated...
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Blog
Die Geschichten hinter den Objekten ("The stories behind the objects")
In the blog “Die Geschichten hinter den Objekten” ("The stories behind the objects"), HAUS SCHLESIEN brings to light Silesian life stories from the time between the German Empire and the People's Republic. Here you can discover, for example, how previously commonplace objects used in daily life...
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Digital Forum Central and Eastern Europe
The Digital Forum Central and Eastern Europe e. V. (DiFMOE) has been dedicated to researching and digitally indexing historical sources from Eastern Europe and operates a digital, freely accessible online library for their publication.
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Digital Library of the Digital Forum Central and Eastern Europe
The Digital Forum Central and Eastern Europe e.V. (DiFMOE) has been operating a digital, freely accessible specialized library with historical documents on Eastern Europe since 2008. In the middle of 2023, its holdings of periodicals included 254 titles, encompassing newspapers, magazines and annual...
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Biography
Fritz Lamm: A diary as a companion during his escape in 1936
Fritz Lamm describes his escape from the Nazi persecution of Jews from Stettin via Switzerland and Austria to Prague in his previously unpublished diary.
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Image database
Image catalogue of the Herder Institute for Historical Research on East Central Europe – Institute of the Leibniz Association
In the online database of the Image Archive you will find the previously inventoried and digitized image materials from the collections of the Herder Institute as well as additional image sources from joint indexing and digitization projects with cooperation partners. Further analog and digital...
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In the Enemy's Viewfinder – German photo-journalists in occupied Warsaw 1939-1945
During World War II, around 700,000 residents of Warsaw lost their lives. Almost the whole Jewish population was murdered. By 1945, Warsaw had become a ruined and almost deserted city. The photographs on show come from observations through the “Enemy's Viewfinder”, that is, through the lenses of...
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Introduction
Jazz in the Eastern Bloc
More than just music: During the Cold War, jazz suddenly found itself between all fronts – at the same time, it served as a propaganda weapon, a symbol of freedom and a musical bridge between East and West.
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Background article
Jewish Postcard Publishers and the Imagery of the Urban
In numerous cities across eastern Europe, Jewish publishers enjoyed notable success on the newly established postcard market. This article presents a socio-historical background of this topic and asks whether their social positioning influenced the depictions of the urban world they chose to feature on their postcards.
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Editing project
Josef Pfitzner und Hans Hirsch
Source edition of the interwar correspondence between Prague-based historian and Nazi politician Josef Pfitzner and Hans Hirsch.
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Object story
Max Mannheimer and his silver-gray Tatra 87
Max Mannheimer (1920-2016) was an institution, as a painter and storyteller, as a Holocaust survivor and chairman of the Dachau Camp Community.
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Portraits of Artists Bearing Witness to their Times
The exhibition "Borders in Art. Three generations of Czech art" (21 May–15 August 2021) delved into how visible the visual arts make "borders". Its focus was on the Czech art scene from the 1920s up to the present. Three remarkable artistic standpoints – supplied by Toyen, Magdalena Jetelová,...
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Background article
Post-War Jewish Migration from the USSR and the refuseniki movement
The post-WW II Jewish migration from the Soviet Union (and also after its dissolution) is one of the largest in modern history. Altogether 2.75 million Soviet Jews left the USSR for Israel, the United States, Germany and elsewhere. The position of the Soviet state with respect to emigration was remarkably ambivalent: in some cases, it was allowed and even encouraged, in others, others; it was controlled and strongly limited. The Jewish emigration movement that arose in the late 1960s and continued throughout the 1970s-1980s became an example of resistance and activism within the authoritarian system, which increasingly alerted international attention. In one way or another, it affected the lives of hundreds of thousands of people and changed the appearance of many cities and towns within the Soviet Union and outside it.
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Biography
Samuel Fränkel
The Berlin Jew Samuel Fränkel (1773-1833) settled in Warsaw in 1798 as a representative of a large bank. Within a few years and across numerous political breaks, Fränkel rose to become the most important banker in a divided Poland. In doing so, Fränkel always successfully drew on his transnational connections to Jews and non-Jews in Prussia, Austria and Russia.
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